Friday, April 8, 2016

BOOK REVIEW: GITA PRESS by AKSHYAYA MUKUL



BOOK  REVIEW

Title:                    GITA PRESS AND THE MAKING OF HINDU INDIA
Author:                AKHSHAYA MUKUL
Publisher:            Harper Collins Publishers India, 2015
Hardback price: Rs. 799/-


Gita Press: Moulding The Idea of India

This excellent book and its timing obliquely posits the identity issues of Hindustan versus Pakistan.  Islamic Pakistan may be Muslim in its sine qua non, but seems to have more fragmentation issues than India, always, seen, in context, like it or not, as Hindustan.

And now, with the idea of the Nehruvian India under siege from certain quarters, is a new, blatantly majoritarian but inclusive India, under construction?

Contemporary Indian historians who treat history as a traditional discipline to tell it largely like it was, are few and far between. Most turn the telling into a pulpit.
There is the erudite Bengaluru-based Ramachandra Guha. There is also the resident Scotsman with Indian sensibilities, William Dalrymple. And now, joining the ranks of this select set, comes a self-effacing journalist-historian, still working hard for the Times of India, Akshyaya Mukul.  

Mukul has written an admirable and even-handed book, based on painstaking research. It will doubtless prove to be a seminal reference work for its wealth of detail on the role of Hindu consciousness, and its effect, both on the formation of modern nationalism, and indeed, the evolving idea of India.

The enduring Gita Press, in Mukul’s book, was a force to reckon with, not so much because its singular mission  of ushering in a Hindu Rashtra, but because it gave space, voice and prominence to some that unequivocally wanted to do so, and aired all their associated concerns.

The Gita Press and its publications, books, pamphlets, magazines in Hindi and English, have influenced and informed generations of Indians and admirers of India, at home and abroad, for nearly a century.  

It continues to do so today, to a much lesser extent. Its primary salience as a mass-influencer is much diminished. This is the age of globalisation, the Internet, 24x7 satellite TV, and an evolving national identity that is leaving some of the burdens of contemporary history behind. It is now a demographically young nation, with 65% of the 1.2 billion population born well after Independence, in the 15-35 year age group.
India today is also visibly shedding its post-colonial, post-socialist skin, religion too hasn’t got the same frisson. It is en route to becoming one of the leading, if not top level nations of the contemporary world.

Gita Press made its greatest contribution, to an unstated mission, that of assisting Indians to believe in their own ancient culture in the face of the fierce imperial policy of divide and rule, and to provide a reliable source of  intellectual/spiritual fuel to the yearning for independence.

By the forties, Gita Press succeeded in providing a template, as much for the acceptance and formation of a majoritarian national identity, as a trampoline for rejection of several of its suggestions and implications.

The alternative discourse favoured a non-casteist, egalitarian, affirmative actioned, secular order, influenced by foreign ideas, favouring and protecting the minorities, and a distinctly socialist vision.

Meanwhile, true to its name, Gita Press sold over 72 million copies of the Gita, priced affordably, amongst other scriptural texts from Tulsidas, the Puranas, the Upanishads and so on, also running into sales of millions of copies.

But through it all, Gita Press remained an essentially private effort, a publishing house in its commercial bare-bones, run by its long-time Marwari owner, Hanuman Prasad Poddar, taking on from co-founder Jaydayal Goyandka. It is based in the smallish town of Gorakhpur in U.P., but has long enjoyed a kind of cultural centrality in Indian life.  This via its Hindi language Kalyan magazine, and its English counterpart Kalyan-Kalpataru, which even now has  subscriptions of over 200,000 and 100,000 respectively.

Kalyan’s tireless helmsman Poddar roped in most of the luminaries from various fields over his long stewardship.

Many prominent Indians in public life, famous Indian writers such as Munshi Premchand, poet Harivansh Rai Bachchan, and illustrators like  Satyendranath Banerjee, recommended  by Christian clergyman C.F. Andrews, then located in Shantiniketan, and also a contributor- wrote/ painted/drew for Gita Press.

Other foreigners and indophiles, such as Russian painter Nicholas Roerich, also contributed towards its spiritualist world-view.

MK Gandhi certainly wrote articles for Gita Press’ Kalyan magazine,  as did Rabindranath Tagore, even if Nehru resolutely did not.

Nehru did not even deign to send  Kalyan a short message of good wishes. Other marked socialists with their antipathy to religion, had the same attitude as Nehru towards Gita Press.

Contributors also included eminent others in the Centrist space of independence era and after public life, such as Annie Besant, C Rajagopalachari, S Radhakrishnan, Lal Bahadur Shashtri, Rajendra Prasad. Madan M ohan Malaviya was an ardent backer.
The Hindu Right was prominently featured, with Poddar ignoring the rivalries of organisations such as The Arya Samaj and the Sanatan Dharma Sabha.

Gowalkar of the RSS sent in several articles. As did Shyama Prasad Mookerjee, the founder of the Bharatiya Jan Sangh. And many sadhus with a political bent of mind also contributed, such as the once well-known Swami Karpatri Maharaj.

Muslim contributors included professor of philosophy at Allahabad University, Mohammad Hafiz Syed and journalist Syed Kasim Ali from Jabalpur. But as the demand for Pakistan formed and intensified, the Muslim League demanded that its adherents be counted as Muslims first. The Gita Press, in turn,  sharpened its attack, and saw Jinnah as  a modern day Aurangzeb.

Women writers were few, in conformity with the Gita Press’ patriarchal world view, but prominent amongst them were R.S. Subbalakshmi, an educationist from Madras, Raihana Tyabji, a Krishna bhakt and ardent follower of Poddar, and Vijaya Lakshmi Pandit, Nehru’s sister - the latter appearing only in reprint of a Navbharat Times piece.
Today, with a section of the population feeling threatened at the reappearance of  calls for a Hindu Rashtra, the calls for a Ram temple at  Ayodhya, the abrogation of Article 370 in Kashmir, the conflicts over cow slaughter, a uniform civil code etc., the seminal and dogged work done over decades by the Gita Press has a fresh relevance.

In 2016, it can be seen, that many of the issues supported by Poddar and Gita  Press over the years: cow protection, opposition to the Hindu Code Bill, and the Hindu Succession Act, are far from resolved and settled issues.

Particularly, as the Muslim Personal Law Board and leading Islamic seminaries like the Deoband are, even now, having to be reminded that its fatwas can only be accepted voluntarily, and do not have the force of law - as was explained by the Supreme Court recently.

Poddar died in March 1971, after a nearly five decade run, and has been succeeded by Radheshyam Khemka. Times have changed, but even otherwise, Khemka does not have equivalent stature. Still, he upholds the orthodoxies of the Poddar doctrine unchanged, and grew up in the ethos and under the mantle of the Gita Press himself.

For: The Sunday Pioneer BOOKS
(1,130 words)
April 8th, 2016
Gautam Mukherjee


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